After graduating from the textile design program at Tokyo Zokei University, she turned to ceramics and is now based at a kiln she built in Saitama Prefecture. Taking full advantage of the smoothness of porcelain clay, her work is defined by an intentional "wavering" quality—stretched surfaces left as-is, gentle sags, and hand-torn edges. Her design sensibility, nurtured through textile study, breathes life into pieces that sit comfortably on the everyday table. She has held solo and group exhibitions in Tokyo, Osaka, Hong Kong, and elsewhere.