Born in Canada, he moved to Japan after graduating from university and spent roughly a decade working in the corporate world before the COVID-19 pandemic prompted him to pursue ceramics. He trained at a potter's studio in Kameoka, Kyoto, and now runs his own independent studio in Kyoto. Drawing inspiration from the Yaozhou and Hutian kilns, he focuses on celadon and qingbai ware, with tea utensils such as gaiwan and teacups at the heart of his practice. He is also an avid researcher of Song dynasty ceramic literature.
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